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RockBernd limited ;-)

Apart from the quality of my own performances my lacking skills with regard to mixing and mastering have impaired my song 'productions'. These days I actually invested a little in learning more about that aspect of songwriting. I had several people try to improve one of my mixes and explain why and what they did differently from me. Fortunately, only one actually wanted the money I offered ;-) That left more money for a few little investments that others had recommended: a better microphone for recording my vocals, Mike Seniors book "Mixing Secrets for the small studio" (Burlington, MA 2013), and a studio head phone.

Other than expected I actually learned what mistakes to avoid rather than how to do it properly. But I learned quite a bit nonetheless. Namely, that I could - and should - be less restrained with regard to using the EQ and the compressor.

Nobody told me the main reason why my own mixes sound so low: that at the end of mixing and mastering the tracks you should put a LIMITER* on the result to cut off the loudness peaks that occur here and there in the mix. After that you can - yet again - raise the loudness to its maximum (0dB) so the resulting track sounds much louder all over. A while ago someone had mentioned this but I must have missed the point then (probably because the handling of my software is rather clumsy in this respect). Gaining loudness proved to actually be the most important improvement apart from bringing the vocals more to the fore.

Admittedly, recording, mixing, and producing will never be my favorite activities with regard to creating music, but I will observe some main aspects of mixing and mastering that I have learned about, so my recording may sound a little less crappy in the future ;-)

I remixed 20 RockBernd songs and actually tested them on several devices (my hi-fi boxes proved most crucial, the ear phones are most forgiving, my new studio head phones reveal excessive bass tracks). Of course it's still garage rock in its true sense but now it should work sufficiently well anywhere.

Stay tuned!

*a limiter is a compressor that only handles - reduces - the loudest parts of the mix. I still use it sparingly to gain about 3dB on average. That's enough to make my new mixes work okay on my hi-fi equipment. I am still not a fan of loudness at all costs. I think that is because I used to hear a lot of classical music. I remember how happy I was when CDs could handle a dynamic of 24dB so certain critical pieces of classical music sounded more natural. One of the mixes I received on my request had a dynamic of just 6dB! Obviously, rock and pop music can do with little dynamic - but that sure was going too far!